New Website Explores Titanic Wrekage

 

explore titanic wrekage website

RMS Titanic: Explore the fallen ship at the depths of the ocean

Viewers will get a closer peek into the history and wreckage of the Titanic on August 22nd, when RMS Titanic Inc., partnering with with Woods Hole Oceanographic Institution and the Waitt Institute, will launch Expedition Titanic. The dive aims to help further preservation of the ship, which sits 2.5 miles below sea level, and to give the public an intimate view of its history.

The site itself transports viewers 2.5 miles below sea level and includes a 3D virtual tour of the wreckage, all of which is embedded with historical information. The agency is also launching social media initiatives to drive viewers to the site, which include video interviews of the crew seeded on YouTube and Facebook. Come August 22nd, the audience can get real time updates on developments on Twitter, YouTube and Facebook.

Insider Tips: Get Your Designs Approved!

 

One of the most challenging parts of any brand design process is getting design approved via "client sign off". It can prove time consuming, demoralizing and if you are not careful can lead to a dissatisfied client. What is more you can end up with a design that you are ashamed to include in your portfolio.

How then can you ensure that the design you produce is the one that gets built? How can you get the client to sign off on your design? Below are 10 tips learnt from years of experience, we call them the "growing pain" years.

1. Write the creative brief

Many of the clients you work with will not have been involved in a web or design project before. Even if they have they may have worked in a very different way to what you would expect. Take the time at the beginning of the project to compose a 'creative brief' explain their role in the design of the site. The best approach is to emphasis that their job is to focus on the needs of their users and business. They should concentrate on the broad issues, while you worry about the details of layout, typography and color scheme.

By clarifying what you expect from the client, you help them to provide the right kind of input throughout the process. The creative brief is also a useful tool that you can use throughout your design process, kind of like a roadmap for the foundation from which you 'brand' your client. Get it approved and you'll have something to fall back on if any disagreements come back to haunt you later on.

2. Understand the business

Before you open up Photoshop or put pen to paper, take the time to make sure you properly understand not only the brief but the organization behind the site. By understanding their business objectives, organizational structure and marketing strategy your design decisions will be better informed.

You cannot rely upon the brief to provide all of the information you need. It is important to dig deeper and get as good an understanding of their business as possible, do some audits, external research, go out and study their competitors. This information will prove invaluable when justifying your design decisions.

3. Understand the users

We all like to think of ourselves as user centric designers, but exactly how much effort do you put into knowing your users before beginning the design process?

Take the time to really understand them the best you can. Try to meet with some real prospective users and get to know their needs. Failing that work with the client to produce user personas to help picture exactly what kind of people they are.

Understanding your users not only improves the quality of your work, but also helps move the discussion away from the personal preferences of the client, to the people who’s opinion really matters. Some client's themselves, do not properly "know" or "understand" their audience until you put it in front of them. Be bold, be creative!

4. Avoid multiple concepts, Avoid multiple concepts...

Many clients like the idea of having the option to choose between multiple design concepts. However, although on the surface this might appear to be a good idea it can ultimately be counterproductive for design sign off.

In a world of limited budgets it is unwise to waste money on producing designs that are ultimately going to be thrown away. The resources would be better spent refining a single design through multiple iterations.

What is more, multiple concepts often cause confusion rather than clarity. It is common for a client to request one element from one design and another from the second. As any designer knows this seldom works. This is one of the primary reasons that legendary graphic designer Paul Rand avoided showing more than one concept to his clients. in fact, his iconic UPS logo was chosen after only seeing ONE comp.

5. Use mood boards

Clients are often better at expressing what they don’t like than what they do. This is one of the reasons why they favour producing multiple design concepts. An alternative less costly approach is to create a series of mood boards. These boards contain a collection of colours, typography and imagery which represent different “moods” or directions, which the design could take.

Mood boards are quick and easy to produce allowing you to try out various design approaches with the client without investing the time needed to produce complete design concepts. This means that by the time you develop a concept the client and designer have already established an understanding about the direction of the design.

6. Say what you like, challenge convention

It is not uncommon for a client during let's say, a web project to ask for a design that looks similar to another site they like. The problem is that it can often be hard to establish exactly what it is about the site that attracts them. Also in many cases the sites they like are not something you are keen to emulate!

A better approach that was suggested by most web professionals is to show them sites that you think the design should emulate. Keep a collection of screen captures from well designed sites and pick out a few that are relevant to that particular client. Explain why you feel these designs might suit their project and ask for their feedback. If they don’t like your choices then expose them to more of your collection and see what they pick out.

7. Wireframe the homepage

Often clients find it hard to distinguish between design and content and so sometimes reject a design on the basis that the content is not right. This is particularly true when signing off the homepage.

You may therefore find it useful to establish the homepage content before producing the design. That way once they see the design they will not be distracted by the content. One of the best ways to do this is by producing a basic wireframe consisting of a series of content boxes. Once this has been approved you will find the sign off of design much easier.

8. Present your designs in person

Although it is true that a good design should speak for itself it still needs presenting to the client. The client needs to understand why you have made the design decisions you have, otherwise they will judge the design purely on personal preference.

Talk them through the design explaining how it meets the needs of their users and business objectives. Refer to the mood boards and preferred sites the client approved and explain how the design is a continuation of those. Never simply email the design through and hope the client interprets your work correctly! It's just impersonal.

9. Provide written supporting material

Unfortunately, no matter how well you justify the design to the client he is almost certain to want to show it to others. He may need his bosses approval or require internal buy in. At the very least he is going to want to get a second opinion from a friend or colleague.

The problem with this is that you are not going to be there to present to these people in the same way you did for the client. You cannot expect the client to present your ideas as well as you did. The reality is that you have lost control of how the design is perceived.

One way to minimize this problem is to provide written documentation supporting the design. This can be a summary of the presentation you gave to the client and allows him to distribute this along with the design. By putting a written explanation with the design you ensure that everybody who sees it gets the same message.

10. Control the feedback

My final piece of advice for managing design sign off is to control the way you receive feedback. A clients natural inclination will be to give you his personal opinion on the design. This is reinforced because you ask them what they think of the design. Instead ask them what their users will think of the design. Encourage them to think from the users perspective. Tell them to do some 'polling' with people unassociated with their inner circle to avoid bias at all costs.

Also encourage them to keep that overarching focus I talked about in my first tip. Their tendency will be to try to improve the design, however that should be your problem not theirs. The role of a client should be to defend the needs of their users and business not do the design. Encourage the client to make comments such as “I am not sure that my female users will like the masculine colours” rather than “can we make the whole design pink.” It is down to them to identify the problems and for you as the designer to find the most appropriate solution. Lastly, please when you're requesting feedback make sure you ask for ONE consolidated and FINAL document of revisions, this way you won't have to sort through 23 emails, as the client changes their mind every other hour.

So there you have it. Our 10 tips to improve design sign off. Will this ensure design approval every time? Unfortunately not. However it should certainly help smooth the way. Now you also know a little bit on how we work, for those potential clients out there... let's talk!

London Unveils Mascots for 2012 Olympics

 

london2012-creepy-mascots

When the official logo of the 2012 London Olympics was released three years ago, the odd puzzle-piece design was the object of so much scorn that organizers were desperate to avoid similar criticism when they unveiled the mascots for the Games on Wednesday. With the introduction of Wenlock and Mandeville (above), London 2012 organizers realized their goal. The criticism of the mascots won't be similar to the complaints about the logo. No, they'll be much, much worse. London went for a complicated design that seems a bit uninspired and fails to identify itself to the global community with its host city, culture, history and people. See if makes sense to you...

Check out the short film which details the weird origins of Wenlock and Mandeville:

Wenlock is named after Much Wenlock, a village in Shropshire which held an event in the 19th century which inspired the modern Games. Mandeville is named after the hospital at which the Paralympic Games were founded. Though both sound like Tolkein characters, the names are quite good and are the only thing that makes the mascots distinctly British.

Web Pick of the Week: VisitPhilly.com

 

This week we are so excited to share with you this excellent example of a successful web site re-design for the city of Philadelphia. Philly's very own Happy Cog Studios were commissioned by the Greater Philadelphia Tourism Marketing Corporation about refreshing the outdated site, located at gophila.com (now available as an archive). The original site launched back in 1997, and over a decade it had become one of the organization’s most important marketing vehicles.

VisitPhilly.com

With the newly designed UI, the creatives at Happy Cog have really set the bar for how a city looking to establish a web prescense for itself with the online community, especially among users in this social media and technology influenced generation. What once was a large, confusing, outdated site, turned into a beautiful, accessible, functional and inviting user experience that conveys the enjoyment behind visiting the great city of Philadelphia. We won't go into lenghty breakdown of this site, since our buddy Walter over at webdesignerdepot.com already posted a great detailed critique on his site. But we will go ahead and single out a few good points, in what makes this an exlempary model of cutting-edge web design.

  • Great expression of design
  • Using identity elements that define the city of Philadelphia (history)
  • Simplification of navigation and eye direction (compared to gophila.com)
  • High-resolution scenic images, capturing the audience
  • Excellent use of white space, not crowding the page
  • Content organization, and page structure
  • Eloquent and effective typography
  • Fresh color choices
  • Improved use of technology such as Java, Ajax, truly compatible cross platform site (non-flash)
  • Adding Social Meida tools, that initiate social networking
  • Overall, the site successfully generates excitement and buzz towards the benefits of travelling to Philadelphia.

What do you think? We want to hear your comments...

Why PepsiCo's Rebrand Failed?

 

PepsiCo's first big company meeting since 2006, CEO Indra Nooyi admitted the company learned it's lessons from some of the recent controversies regarding the sudden design overhaul of it's key brands.  She stated, "2009 was not a good year for North American beverages. We didn't like the North American beverage results" Really? You didn't, oh we're glad because we thought it was just us. I mean who really liked the so called, "refresh everything" campaign? I found myself asking, why fix a problem that wasn't broken? Was this iconic brand really in need of such a drastic change, but I'll save the design critique for another time, but the fact that Ms. Nooyi has acknowledge that the company made a mistake and quite frankly realized it's too late to "sweat the details" thus moving forward, is an even bigger letdown than it is "refreshing."

What's the rush?

Ms. Nooyi said the first lesson learned from the beverage portfolio overhaul is that the organization has to buy into the program. Realizing that it couldn't overhaul only two brands or drag out the revamp for several years, the company made a lot of changes in a short period of time. A task that was too big for itself... let's look at the key failures.

Remember Tropicana

Arnell Group's dramatic Tropicana rebrand at the beginning of 2009 was immediately scrutinized by consumers, media and the advertising industry, resulting in a replacement of the old product packaging and positioning. The "squeeze" campaign all together was a failure, including Arnell's advertising campaign which was missing essential clarity. But how cute was that squeeze cap at the top.

What's G?

Most Gatorade loyals only drink the popular 3 or 4 flavors that Gatorade has been known for. For years they've remained the No. 1 brand in their category of sport beverages, but recently they embarked on a massive rebrand during the economic recession of 09. The rebrand included redesign of more than a thousand packages, national advertising campaign and an increase in product line. As a result, Gatorade saw a decline in shares and criticism among media and analysts who have decried the brand's decline. Just ask yourself, how many flavors can you name? They've become overcomplicated and over saturated, forgetting their "core values" and simplicity that made them a success.

Happy St. Patty's Day!

 

You may have caught it already as today’s CREATIVITY Pick of the Day, but here’s another stellar outdoor idea for McDonald’s out the ad agency Leo Burnett, Chicago.

This installation was placed on the banks of the Chicago River, which is dyed green each year in celebration of  St. Patrick’s Day.  A perfect way to promote McDonald’s seasonal Shamrock Shake! See more pics of this annual tradition here.

Happy St. Patty’s Day! Be Safe! Now, time to get ourselves a Shamrock Shake!

Our New Site Launches Today!

 

As an award-winning creative agency specializing brand design, we are proud to announce the redesign of the STARMEN web site. But "redesign" doesn't really cover it. This more than a aesthetic adjustment or surface-level change. This is more of a "refresh" both internally and externally. The new starmenusa.com reflects our new ideas, new thinking, and new outlook for our clients, and their brands. For those of you familiar with us, you'll find a lot of new and exciting information, about us, the services we offer and see new design work!

Our LA headquarters is buzzing with excitement! This site has been a labor of love, created with synchronized hard work, absolute enthusiasm, and meticulous attention to how effective design can be. The new STARMEN believes happy users means happy business. One goal of ours that hasn't changed is this: We are here to produce solid, valuable results for you! Now, we just look even better!

Visit our new virtual home and experience the new STARMEN!

Microsite. Macrohelp.

 

In response to the devastating January 12th earthquake in Haiti, the team at STARMEN Design Group rallied to spread the word to support the American Red Cross’s relief efforts. Creating this support-site is our way of communicating to the web community that urgency is needed to assist those affected by this disaster; especially the thousands of abandoned children who are now without homes. The best way to provide immediate aid is through financial donations. Join us and show your support by donating to the Haitians during these tragic times. Be a part of the solution and provide help for the relief effort through the American Red Cross today!

View the microsite & donate at www.WeSupportHaiti.org

Couture Glamour Returns to Hollywood

 

Before Angels became synonymous with lingerie, Hollywood’s elite wore Juel Park Lingerie. Started in the Roaring Twenties, Juel Park designed lingerie for women like Elizabeth Taylor, Marilyn Monroe, Ava Gardner and Katherine Hepburn.  Over the years, the Juel Park has passed down through the ranks of talented women; and now, the youngest partner is ready to make a comeback.

STARMEN found their history very engaging and applicable in our day and age – all can be revived!  We’re excited to help Juel Park sponsor their new launch and showcase the growth of their company! To honor the many proud survivors and to remember the family and friends lost to breast cancer, proceeds from this event will benefit the Susan G. Komen for the Cure Foundation.

For event details, please visit: http://www.juelpark.com/launchevent/