3 Strategies for Building a Stronger Brand in 2012

 

The New Year always sparks a renewed interest in making changes! For a business, this should include taking a close look at your brand – both from your perspective and from that of your market. Questions to consider: How do your customers perceive your brand? Is it aligned with how you see yourself? Do people hear and understand exactly what your brand is saying?  

Yes, there’s always room for improvement. And, starting with these three strategies, you can help strengthen your brand in 2012.

Build a Consistent Brand

Consistency is the name of the game in brand identity. Do you think Coke and Apple became what they are by not showing the same face to everyone, everywhere? The more consistent your brand is across all customer touch points, the more likely it can create a powerful impression and be easily recognized by your market.

One of the most important (yet often overlooked) aspects of branding is that it MUST remain consistent through all communication channels. From business cards and collateral pieces to your online marketing tools, there should always be a clear, consistent look and feel to everything you present.

Innovate Your Brand and Image

Keeping your brand up-to-date doesn’t mean changing it to stay current with every trend or fad. But, being attuned to what is happening in your industry and what appeals to your target demographic should play an important part in the evolution of your brand! 

With 2012 upon us, it might just be the right time to consider modernizing the visual image of your brand in terms of logo, tagline, typography, color palette, and design. Small changes, tweaks, and updates can re-energize an existing customer and catch the eye of a new one! This is one step in the right direction towards staying ahead of your competition and becoming a category leader.

Be Social, Diversify Your Online Presence

Online today means much more than having a website. If you are not on Facebook and Twitter or don’t have a content rich blog - in the eyes of some consumers, you might as well not exist. Your online presence “speaks” volumes to those who will buy from you. A successful social media engagement model is not about spitting out corporate messages, but instead includes developing a two-way dialog with your audience. Of course, you’ll want to make sure your “voice”, through status updates, tweets, and blog posts, is aligned with your brand. Aim to be human in the social space.

Getting the right help to strengthen your brand is also pivotal to your success. STARMEN Design Group is here to help with a diverse team of brand professionals who are experts at making your business look and sound its absolute best.

Your Logo Is Not Your Brand

 

It’s time to clear up a common misconception, a logo and a brand are not interchangeable terms. In fact, they are not the same thing at all! 

My mentor and brand guru, Marty Neumeier 'dispelled the myth' in his book The Brand Gap, "A brand is not a logo, an identity or a product". A brand, is a gut feeling, a consumers emotions about a particular company or product. The logo is a visual representation of that a company or product. However, it’s isn’t the brand itself. In contrast, a brand has a much broader definition. Your brand comprises everything that defines your company – who you are, what you do, where you want to be, and what you believe in. It’s the emotions people feel when they think of your products or services (back to Neumeier). This is far more than a creative image. And, an expertly designed logo is worthless if your brand is terrible.

Think of one of the world’s most recognized logo icons – the Apple. Would the logo be as powerful for the company Apple if the products they produced weren’t so spectacular? If they didn’t continually push the technology envelope and bring cutting edge products to market, the Apple logo would have little recognition.  The fact that Apple is wildly popular with consumers, their products are easy to use and understand, and they have incredible marketing has created their powerful brand. The logo is just a visual representation of this message.

So, if you’ve been considering getting a new logo developed, you may actually want to start with a review of your brand and what is truly saying about your business. From there, you can start looking at the elements that support what you’re trying to project, including that pretty image on your website.

If you're hungry for more on this topic check out one of my favorite books, Your Brand Is Not Your Logo: It Is an Experience that Lives in Your Customer's Gut by Robert Brunner, Stewart Emery & Russ Hall

MyBestFit on Good Morning America

 

Take the stress out of finding clothes that fit you best!

ABC calls it the "HIGH-TECH FIT FINDER", the New York Times recent story called it the "free 20-second full-body scan" and we know them as one of our recent clients, MyBestFit "Scan.Fit.Shop". With all the positive buzz they've been generating lately we thought we'd share this mornings featured GMA story. Watch the video below and see why they're calling it a "shopping revolution".

It was such a pleasure working on this project, bringing their concept to life and now to see it a success. Our team was so excited to be a part of it, with an agressive 2-month deadline we created this unique brand experience that is truly changing the way people shop! Look for it in a mall near you.

Design Thinking vs. Designing

 

STARMEN Design Thinking

This article on Fast Company is a must read, especially for anyone in our industry! There is certainly a difference between design thinking and designing – let’s not blur the line.

As the article mentions, “design thinking is not fairy dust;” you do not get to skip steps to magically solve a challenge.

Design thinking is a strategic tool.

It is a way of applying rigor to a process to get to a better outcome. I suggest we stop using it as a title or even as a noun. It is not a thing; it is a way of behaving and structuring a multidiscipline approach to get to bigger ideas and better ways to solve challenges in order to deliver breakthrough experiences to people.

Here are things we at STARMEN Design Group do to make it successful:

· Establish the what, how and who:
      - What are you getting to/answering?
      - How are you going set the journey and leverage everyone’s talents?
      - Who is the facilitator to manage the conversation on three levels: generative ideas, strategic business cases, and tactical deployment?

· Encourage the team to see different things, don’t just see the same things differently.

· Frame the journey through the consumer or customer to create a new language.

· Maintain focus, but ensure there is not tunnel vision. Design thinking is about navigating the unknown with a candle – observing and moving forward on the best discovery journey. Not a flashlight that lights up the clearest, most direct path.

Enough said – keep this article close by. You’ll be sending it out again and again.

Why Designers Should Watch 'America's Next Great Restaurant

 

"The logo is the point of entry for the brand." -Milton Glaser

I've always been a fan of reality television and NBC's latest show America's Next Great Restaurant is extra special. Not because one of my favorite CEO's Steve Ells contributes his great ideas on how to start a business, but because the show places an emphasis on 'graphic design' and 'branding'. If you're a designer or small business owner last night's episode was the one to watch.
 
The dynamic between designers and business owners is something that has always been misunderstood and it became more apparent to me after watching this show. I completely understand those who have a vested interest in developing their own business, but when it comes time for collaboration with creatives, business owners need to learn delegation is the key to management and trust is the key to leadership. It's the 'magic' behind a successful relationship that ultimately brings their vision to life.

During last night's episode there were two highlights I noticed that verified what I tell my clients all the time, have trust in your designer (or agency) and know who you are and what you stand for (before doing any creative marketing). I will try to overlook the fact the contestants in this episode were only given a short time to come up with a logo for their restaurant idea and I will also note that the creation process should never happen with the client looking over the designer's shoulder as they meticulously click away their ideas.

I'm all for embracing participation, but there's a difference between collaboration and instruction. That is exactly what happened here: Episode 102. Design is an iterative process and creativity is best in a group that focuses on the potential of an idea, rather than its weakness. Remember the goal is to generate as many ideas as possible before arriving at the final solution, regardless of any pre-determined ideas or creations. Please, please, please, don't begin your process by opening up Adobe Illustrator.

An identity is actually brand strategy or positioning in disguise.

On the other hand, the real business challenge in this episode, like most ambitious small business owners, was not focusing on the 'look' but rather, establishing clear definition of its brand, i.e. "Who We Are and What We Stand For" which was obvious for most of the contestants, who had difficulty explaining to the judges "Why Their Brand Is Special".

What failed many of these contestants was they were unable to communicate what it is about their logos that inspires people to understand it and feel the same way. Listen to many of the judges' reactions and comments, of the importance of their logos and listen to the "what" and "why" of justifying how a logo reflects the brand and supports the business. Personally I found Steve Ells' (genius behind the Chipotle brand) comments to be the most accurate in terms of how a business owner should think like a consumer.

So remember, before you rush into designing a logo or identity, it's important to capture the essence of the brand's personality/culture such as, a company's vision, values and their audience. Your logo is not your brand, rather a cover to a great story.

Honest Marketing Tips from Mister Rogers

 

1.) Relationship-Building Trumps Flashiness:

Mr. Rogers replaced flashiness by building an honest relationship with his viewers, by making the show constantly address "our" concerns...at least as best a television personality might do in the days of a one-way medium. Most of the time, it was him directly addressing his viewers. He took us on trips to see a few guests. And he had people stop by.

2.) Don't Promise More Intimacy than You Can Deliver:

Mr. Rogers often looked into the camera, and he said something along the lines of, "I've really enjoyed talking with you this week. I hope I have answered a few of the questions you've had. I really wish I could know each and every one of you personally, but unfortunately this television show is the only way we have to talk. If you have other questions that I haven't answered, find someone you love and who loves you in your own life and ask them." Really, is there a more perfect mindset that brands should take, online or off?

For brands that appeal to a large customer base, the company cannot have personal relationships with everyone. Social media provides a way to be more conversational, to give a venue for customer contact when they have a problem, etc. The key is to take the appropriate tone with customers, to demonstrate approachability but also be honest about the limits, lest customers be disappointed.

3.) Be Consistent in Who You Are and What People Should Expect from You:

From Fred Rogers' first show in 1968 until his last in 2001, surprisingly little changed about Fred Rogers. That's in part because his brand stood as a calm in the changing seas of culture. There were many subtle shifts in the nuances of his shows: the anxieties he addressed and the topics he covered. But Fred always found a way to address them from the standpoint that people expected from his brand. Mr. Rogers was a trusted friend we could always return to. Brands should be responsive to culture, should have their ears on the latest changes: but they should do so always remembering why audiences might come to them and respecting the audience's desires in the process.

4.) Customers' Questions Are Worth Answering:

Mr. Rogers took us seriously, asked us what our pain points were, and offered the best solution he could. Brands might be well served to do this a little more often for their customers.

5.) Brands Can Take a Stand:

Despite his calm demeanor, Mr. Rogers was known for taking a stand for what he believes in, in a way that was consistent with his public persona. Brands too often shy away from supporting something, or else--when they do--their "causes" are disjointed from the work the company does and what they stand for.

Mr. Rogers saw the value of cultivating his own brand. But he did so in a quiet and dignified way that made the tone and authenticity of his show--and his relationship with viewers--unmatched by any television property ever seen before or after. And, as I consider how many marketers likely grew up with the words of Fred Rogers guiding their way as kids, I can't help but think that we've all too often strayed away from some of those first lessons we heard as children.

Excerpts from Fast Company's expert blogger Sam Ford, 5 Marketing Lessons from Mr. Rogers, 2010.

Video: New MySpace is now My_____??

 

MySpace's new logo... features an actual space ______ Get it?

New MySpace Logo

Okay, neither do we. But enough logo bashing (see previous post), this redesign is less about the newly unveiled 'logo' and more about the brand. YES!!! The team at Pereira & O'dell got it right! We all know MySpace has virtually unbranded themselves off the face of social media, when at one point they were, social media. But, despite the odds and that new logo, MySpace... wait My_____ is trying to stage a comeback. The site on Tuesday announced a major revamp that aims to go beyond image tweaks, repositioning itself not as a social network that can compete with Facebook or Twitter, but as a "social entertainment destination for Gen Y."

Read more here: CNN.com

The site nor the logo are actually live, but we found this promotional video MySpace just released.

10 Blog Topics to Write... Fast and Easy!

 

A blog should be part of everyone's marketing plan today, here are some ideas to get your started on the right track.

ten blogs to write about

Want to get started right now!! Why not? Tumblr offers FREE blog themes, no hosting or domain needed. It's really simple.

Web Pick of the Month: Skittles.com

 

Skittle Website Adventure

The new Skittles.com is so fresh we just had to show you!

We know it's been a while since we shared a really sweet web site with you all, forgive us... we've been very busy, so it's a good thing. Those of you familiar with our blog know that we surf the web A LOT and discover some really cool web sites. We love highlighting the best of those sites with you. We also encourage you to send in some awesome sites you find while browsing too!

Enjoy an interactive experience driven by a never-ending stream of content, courtesy of Flickr, YouTube, Facebook, Twitter and more. Skittles.com rewards fans with the ability to scroll infinitely, like an adventurous journey through Skittles digital landscape.

So 'Experience the Rainbow'... Love it or Hate it? www.skittles.com

Gap can change its logo, but not its brand!

 

gap new logo before and after comparison

Let it be known, I'm not one to jump on 'bandwagons', whether it's politics, celebrity gossip, sports, or even in business. But I'm all aboard the latest bandwagon traveling along Gap's crossroads to logo disaster. It's widely been referred to as the 'Gapgate' controversy,  a questionable attempt by the company at designing a new logo and an even more tasteless approach at trying to market it. There has been way too much recent attention around the new Gap logo that I actually feel comfortable speaking my mind about it because unlike Gap's story, there's a happy ending here. Yes, keep reading and you'll see I offer a solution to this visual problem.

To much of my shocking surprise, I first came across the new logo while reading my favorite design blog 'FastCoDesign.com' where one designer so aptly recreated the Laird + Partners version of the logo in all of 3 minutes and retitled it, "Crap".

Before I critique the logo, I want to point out that one of my first jobs was working at the Gap and working in such a corporate environment with such good control over its brand propelled me into marketing and design. While working as an Old Navy and Gap associate I particularly became a fan of how Gap was able to engage and sustain a 'loyal audience' by constantly staying fresh in all aspects of their brand (fashion, marketing, advertising, etc.) Unfortunately this hasn't been the case over the past few years, revenue at Gap stores (including Old Navy and Banana Republic) have been declining (-8% in 2009). Pinpointing the problem by blaming 'The Economy' would be foolish. The Gap has a bigger problem, and it's not their logo... it's their brand.

A Brand Panic Move

One of my motto's is, "Your logo is not your brand!" This is a message we at STARMEN communicate to our clients all the time. But it seems Gap didn't listen, they officially rolled out their new logo last week, that came off more as a panic move, than it did with any real design thinking. Some credit this sudden change as a response to their declining sales, but as Abe Sauer from Brandchannel explained, "the brand decide[d] to change the one valuable element it has going for it." Changing the logo makes this obvious because it's the most recognizable thing the customers sees, but doesn't feel. A typical mistake most high-profile brands make in an effort to make a valuable 'change'. Just ask Pepsi how they feel about the whole Tropicana mess. With very notable brands, a complete brand identity redesign or even just a change to the logo can be the hardest task for any design firm, if not done right. Laird + Partners has done some great work for Gap in years past, and if the result improved the former, this probably wouldn't have been an issue.

Louise Callagy, a Gap spokeswoman, explained the new logo was intended to be the latest "evolution" for the brand and added that this was in the works for the last two years. Callagy explains "[the new logo] is more contemporary and current and honors the heritage of the Gap brand, but takes the blue box forward." Ehh... I don't think so... I'm sorry maybe back in 1965 but not today, there's absolutely nothing new about using the typeface Helvetica, just ask Eric Spiekermann. Simply typing Helvetica font over the former iconic blue box with a default gradient to offset the contrast of the black and blue is not the way to "take the brand forward" nor "honor the heritage".

We have a solution...

new gap logo identity concept

We at STARMEN came up with a relatively realistic solution for Gap. In honor of this 'heritage' Gap so greatly expresses, we found it easy to reflect on the first Gap logo and store back in 1969 and found a new way of embracing Gap's original essence with a more contemporary approach, something with similar mainstream flexibility as seen in MTV's new logo redesign. Rather than just an 'add-on' approach, this logo becomes more 'integrated' with the brand campaign, allowing the Gap to align its brand initiatives with its loyal customers. Rather than simply placing the retro typeface proportionally in the center of the iconic square shape, we more dramatically enlarged it to bleed over the edges. The clean, bold and organic lowercase font gives Gap a fresh new energy that's friendly and inviting. Our approach gives the logo opportunity to fuse the distinctive Gap imagery and the square shape, showing the flexibility of the new branding. So, what do you think of our alternative? More importantly, what do you think of Gap's perspective? We want to hear your thoughts... and we'd love to hear from you Gap!

Also stayed tuned to our blog later in the week, to hear what I think about another Helvetica logo redesign nightmare another popular company is trying...

UPDATE: By no means, are we saying that the above solution, is 'the solution'... we all understand that there is a deeper problem with Gap, and it's not just their logo, but rather their brand. However being neurotic creatives we couldn't help but offer our version of what we think their identity could be. Thanks for all the feedback, we hope you this will be a case study for brands to come!

As most of you know by now, Gap pulled the logo just as quickly as it put it up (overnight). There probably won't be much long-term damage to the brand, but we all hope that Gap will know how to approach the whole brand identity redesign, more hollistically, focusing on the brand itself and not just the logo.

Apple design explained in "Objectified" film

 


WATCH: Jonathan Ive talks about Mac design

In this clip from Gary Hustwit's docufilm "Objectified" we want to share with you one of our favorite clips, which features Apple's creative genius Jonathan Ive discussing the industrial design approach to creating the MacBookPro and iMac products. This is a great look inside the world of Apple's design 'process' and how that translates into the ideas which make up the Apple philosophy. Learn from this short clip just what makes Apple such a beloved brand and a great product

Check out Gary Hustwit's other docufilm "Helvetica" which I'm sure all you graphic designers have seen. We're looking forward  to the 3rd installment of the design trilogy, "Urbanized".

New Website Explores Titanic Wrekage

 

explore titanic wrekage website

Expedition Titanic. The dive aims to help further preservation of the ship, which sits 2.5 miles below sea level, and to give the public an intimate view of its history. The site itself transports viewers 2.5 miles below sea level and includes a 3D virtual tour of the wreckage, all of which is embedded with historical information. The campaign also includes social media initiatives to drive viewers to the site, such as video interviews of the crew seeded on YouTube and Facebook. Come August 22nd, the audience can get real time updates on developments on Twitter, YouTube and Facebook.

Imagine if MadMen created today's ads?

 

Modern Software Ads - Mad MenSomtime in 1951, between the advent of the color television and the ending of World War 2, advertising took on a new role in mass media. Businesses teamed up with ad agencies to convince the masses on products and services that they wanted to sell. Content was key, and copywriters were kings. They weren't as creative, or extreme from what our eyes are used to nowadays, but it was groundbreaking content nonetheless.

Engadget had a few modern day companies, Youtube and Skype (credit to the artist), with a 1950s style and content. They are spot on, and actually pretty funny! Imagine what 1950s advertisements would look like for modern day companies.

Enjoy Your Weekend!

Designers: Looking for the right typeface?

 

typface infographic chart

A designers most difficult task and least fun, seems to be choosing the right typeface. Let alone a good one. A typeface must, make sense with your design, be true to brand standards and most of all... must be legible enough to communicate your messaging.

Worry no more, now with this helpful flowchart (infographic) designed by the clever Julian Hansen you will never go wrong. And if you do, your client will ask you to change it anyway. [Thanks to Ben in NYC and Gizmodo for this lead.]

Download the full chart here.

New Penny Doesn't Make Cents?

 

Lincoln Penny Design

Not so fast...look before you throw that penny away!

Have you noticed? Check that shiny little bronze coin next you get it, look closely... notice something different? Rather generic? Yes well unfortunately the US Mint has decided to redesign the Lincoln one cent coin. Let's be honest: American money isn't pretty. Our bills and coins are jumbles of incomprehensible symbols--every spot of ink has meaning, down to the number of spikes around the treasury seal, but it'd be a stretch to say they all cohere into a worthy whole. Well-respected graphic designer, Michael Bierut calls our currency "a cake that has been decorated to within an inch of its life." What it lacks in aesthetics, though, U.S. currency makes up for in quirk. It feels old, authentic, a little mysterious, and therefore valuable. It's money, after all.

Abe falls victim to a series of bizarre redesigns.

Penny Series

In honor of Lincoln's 200th birthday, the penny fell victim to an image series of four cartoony tableaus of Lincoln's life: his famously non-descript log cabin; a hilariously buff, superhero Lincoln reading on a log; a disproportionately statuesque Lincoln standing in front of the Illinois Capitol Building (which everyone will mistake as the U.S. Capitol); and finally the U.S. Capitol Building itself, bizarrely under construction. As a set, the coins look nothing like each other--"United States of America" appears in different type sizes; "One Cent" in different sizes and arrangements--and individually, they make no sense as a timeline of Lincoln's life.

It gets worse. Last week, the mint unveiled 2010's penny--Lincoln on the front, as usual, and a simple shield on the back. Gone is the Lincoln Memorial, maybe the most emotionally and socially charged building in the country. Gone is the wonderful level of detail (remember when you first discovered the tiny Lincoln statue in between the columns?). Compare it to 27-year-old Matthew Dent's redesign of Britain's coins--the best use of a shield on currency I've seen. Dent's redesign is contemporary but still complex; the coins work alone and as a set. Ours is simplistic and fake-looking. The penny is valueless enough as it is, and a one-dimensional design like this only makes matters worse.

Insider Tips: Get Your Designs Approved!

 

One of the most challenging parts of any brand design process is getting design approved via "client sign off". It can prove time consuming, demoralizing and if you are not careful can lead to a dissatisfied client. What is more you can end up with a design that you are ashamed to include in your portfolio.

How then can you ensure that the design you produce is the one that gets built? How can you get the client to sign off on your design? Below are 10 tips learnt from years of experience, we call them the "growing pain" years.

1. Write the creative brief

Many of the clients you work with will not have been involved in a web or design project before. Even if they have they may have worked in a very different way to what you would expect. Take the time at the beginning of the project to compose a 'creative brief' explain their role in the design of the site. The best approach is to emphasis that their job is to focus on the needs of their users and business. They should concentrate on the broad issues, while you worry about the details of layout, typography and color scheme.

By clarifying what you expect from the client, you help them to provide the right kind of input throughout the process. The creative brief is also a useful tool that you can use throughout your design process, kind of like a roadmap for the foundation from which you 'brand' your client. Get it approved and you'll have something to fall back on if any disagreements come back to haunt you later on.

2. Understand the business

Before you open up Photoshop or put pen to paper, take the time to make sure you properly understand not only the brief but the organization behind the site. By understanding their business objectives, organizational structure and marketing strategy your design decisions will be better informed.

You cannot rely upon the brief to provide all of the information you need. It is important to dig deeper and get as good an understanding of their business as possible, do some audits, external research, go out and study their competitors. This information will prove invaluable when justifying your design decisions.

3. Understand the users

We all like to think of ourselves as user centric designers, but exactly how much effort do you put into knowing your users before beginning the design process?

Take the time to really understand them the best you can. Try to meet with some real prospective users and get to know their needs. Failing that work with the client to produce user personas to help picture exactly what kind of people they are.

Understanding your users not only improves the quality of your work, but also helps move the discussion away from the personal preferences of the client, to the people who’s opinion really matters. Some client's themselves, do not properly "know" or "understand" their audience until you put it in front of them. Be bold, be creative!

4. Avoid multiple concepts, Avoid multiple concepts...

Many clients like the idea of having the option to choose between multiple design concepts. However, although on the surface this might appear to be a good idea it can ultimately be counterproductive for design sign off.

In a world of limited budgets it is unwise to waste money on producing designs that are ultimately going to be thrown away. The resources would be better spent refining a single design through multiple iterations.

What is more, multiple concepts often cause confusion rather than clarity. It is common for a client to request one element from one design and another from the second. As any designer knows this seldom works. This is one of the primary reasons that legendary graphic designer Paul Rand avoided showing more than one concept to his clients. in fact, his iconic UPS logo was chosen after only seeing ONE comp.

5. Use mood boards

Clients are often better at expressing what they don’t like than what they do. This is one of the reasons why they favour producing multiple design concepts. An alternative less costly approach is to create a series of mood boards. These boards contain a collection of colours, typography and imagery which represent different “moods” or directions, which the design could take.

Mood boards are quick and easy to produce allowing you to try out various design approaches with the client without investing the time needed to produce complete design concepts. This means that by the time you develop a concept the client and designer have already established an understanding about the direction of the design.

6. Say what you like, challenge convention

It is not uncommon for a client during let's say, a web project to ask for a design that looks similar to another site they like. The problem is that it can often be hard to establish exactly what it is about the site that attracts them. Also in many cases the sites they like are not something you are keen to emulate!

A better approach that was suggested by most web professionals is to show them sites that you think the design should emulate. Keep a collection of screen captures from well designed sites and pick out a few that are relevant to that particular client. Explain why you feel these designs might suit their project and ask for their feedback. If they don’t like your choices then expose them to more of your collection and see what they pick out.

7. Wireframe the homepage

Often clients find it hard to distinguish between design and content and so sometimes reject a design on the basis that the content is not right. This is particularly true when signing off the homepage.

You may therefore find it useful to establish the homepage content before producing the design. That way once they see the design they will not be distracted by the content. One of the best ways to do this is by producing a basic wireframe consisting of a series of content boxes. Once this has been approved you will find the sign off of design much easier.

8. Present your designs in person

Although it is true that a good design should speak for itself it still needs presenting to the client. The client needs to understand why you have made the design decisions you have, otherwise they will judge the design purely on personal preference.

Talk them through the design explaining how it meets the needs of their users and business objectives. Refer to the mood boards and preferred sites the client approved and explain how the design is a continuation of those. Never simply email the design through and hope the client interprets your work correctly! It's just impersonal.

9. Provide written supporting material

Unfortunately, no matter how well you justify the design to the client he is almost certain to want to show it to others. He may need his bosses approval or require internal buy in. At the very least he is going to want to get a second opinion from a friend or colleague.

The problem with this is that you are not going to be there to present to these people in the same way you did for the client. You cannot expect the client to present your ideas as well as you did. The reality is that you have lost control of how the design is perceived.

One way to minimize this problem is to provide written documentation supporting the design. This can be a summary of the presentation you gave to the client and allows him to distribute this along with the design. By putting a written explanation with the design you ensure that everybody who sees it gets the same message.

10. Control the feedback

My final piece of advice for managing design sign off is to control the way you receive feedback. A clients natural inclination will be to give you his personal opinion on the design. This is reinforced because you ask them what they think of the design. Instead ask them what their users will think of the design. Encourage them to think from the users perspective. Tell them to do some 'polling' with people unassociated with their inner circle to avoid bias at all costs.

Also encourage them to keep that overarching focus I talked about in my first tip. Their tendency will be to try to improve the design, however that should be your problem not theirs. The role of a client should be to defend the needs of their users and business not do the design. Encourage the client to make comments such as “I am not sure that my female users will like the masculine colours” rather than “can we make the whole design pink.” It is down to them to identify the problems and for you as the designer to find the most appropriate solution. Lastly, please when you're requesting feedback make sure you ask for ONE consolidated and FINAL document of revisions, this way you won't have to sort through 23 emails, as the client changes their mind every other hour.

So there you have it. Our 10 tips to improve design sign off. Will this ensure design approval every time? Unfortunately not. However it should certainly help smooth the way. Now you also know a little bit on how we work, for those potential clients out there... let's talk!

London Unveils Mascots for 2012 Olympics

 

london2012-creepy-mascots

When the official logo of the 2012 London Olympics was released three years ago, the odd puzzle-piece design was the object of so much scorn that organizers were desperate to avoid similar criticism when they unveiled the mascots for the Games on Wednesday. With the introduction of Wenlock and Mandeville (above), London 2012 organizers realized their goal. The criticism of the mascots won't be similar to the complaints about the logo. No, they'll be much, much worse. London went for a complicated design that seems a bit uninspired and fails to identify itself to the global community with its host city, culture, history and people. See if makes sense to you...

Check out the short film which details the weird origins of Wenlock and Mandeville:

Wenlock is named after Much Wenlock, a village in Shropshire which held an event in the 19th century which inspired the modern Games. Mandeville is named after the hospital at which the Paralympic Games were founded. Though both sound like Tolkein characters, the names are quite good and are the only thing that makes the mascots distinctly British.

16 Abbreviated Brand Names Explained

 

Dozens of companies use acronyms or initials in their names, but how well do you know what the abbreviated letters mean? Let’s take a look at the etymologies behind a few abbreviated company names.

1. IKEA

The Swedish furniture giant and noted charity takes its name from founder Ingvar Kamprad’s initials conjoined with a the first initial of the farm where Kamprad grew up, Elmtaryd, and the parish he calls home, Agunnaryd.

See the 15 others at the mental_floss.com blog

CONFIRMED: Apple 4G iPhone Unveiled

 

UPDATE: Gizmodo Editor Jason Chen Arrested, Home Searched And Computers Seized. The lost iPhone investigation begins...

UPDATE: Yes, it has been confirmed by numerous sources in news and media including online that Apple lost the next iPhone, in a bar.

Is this real? Could it be, that one of Steve Jobs secret service agents was sleeping in Cupertino? How did this slip through the cracks? Easy. Disguise it with a Belkin 3GS case. Though it's unofficially unconfirmed, there's a strong chance this is the next iPhone. Gizmodo, a high-reputable online source and popular blog for all things technology, recently posted this discovery.

You have to see to believe! www.gizmodo.com

Web Pick of the Week: VisitPhilly.com

 

This week we are so excited to share with you this excellent example of a successful web site re-design for the city of Philadelphia. Philly's very own Happy Cog Studios were commissioned by the Greater Philadelphia Tourism Marketing Corporation about refreshing the outdated site, located at gophila.com (now available as an archive). The original site launched back in 1997, and over a decade it had become one of the organization’s most important marketing vehicles.

VisitPhilly.com

With the newly designed UI, the creatives at Happy Cog have really set the bar for how a city looking to establish a web prescense for itself with the online community, especially among users in this social media and technology influenced generation. What once was a large, confusing, outdated site, turned into a beautiful, accessible, functional and inviting user experience that conveys the enjoyment behind visiting the great city of Philadelphia. We won't go into lenghty breakdown of this site, since our buddy Walter over at webdesignerdepot.com already posted a great detailed critique on his site. But we will go ahead and single out a few good points, in what makes this an exlempary model of cutting-edge web design.

  • Great expression of design
  • Using identity elements that define the city of Philadelphia (history)
  • Simplification of navigation and eye direction (compared to gophila.com)
  • High-resolution scenic images, capturing the audience
  • Excellent use of white space, not crowding the page
  • Content organization, and page structure
  • Eloquent and effective typography
  • Fresh color choices
  • Improved use of technology such as Java, Ajax, truly compatible cross platform site (non-flash)
  • Adding Social Meida tools, that initiate social networking
  • Overall, the site successfully generates excitement and buzz towards the benefits of travelling to Philadelphia.

What do you think? We want to hear your comments...

Brand Marketing Is Not a Science

 

During our daily industry readings, we came across this encouraging article by brand consultant Tom Hinkes, a contributor to adage.com. It was refreshing to hear from a well-respected and experienced brand marketer that great marketing requires a balance of strategy and creative. Currently, companies have been scaling back on creatively-led brand solutions and focusing more on "the numbers" approach.

More Data Is Not Better Data

Marketing departments used to be the creative engines powering successful corporations. Now they're overrun by number-crunching nerds. As a direct consequence, despite all the conspicuous focus on "change management," the way brands respond to change in the marketplace has deteriorated. A McKinsey Quarterly article several years ago argued that the key to "better branding" is to build brands "more scientifically." If managers would combine "forward-looking market segmentation" with structural-equation modeling, they could "build a better brand more efficiently." In short: more data, more regressions and more conjoint analysis mean the "brand crisis" is solved. But fluency with buzz words and expertise with spreadsheets do not guarantee brand-marketing competence.

We agree that there is a need for consumer research, but brand marketing is not a science, it's not driven solely by metrics or statistics. It requires analysis, discipline and detail. Even more, it requires emotion, vision and ideas. STARMEN shares this perspective. We manage and balance both successfully and have the marketing abilities and creative talents to do so.

Enjoy the full article here.

Burger King: Whopper Face

 

"Have it Your Way" campaign reaches a whole new level in this Brazilian BK marketing stunt.

Ogilvy Brazil took the Burger King "Have it Your Way" tagline to new heights and presented diners with a "customized" surprise when they ordered a Whopper.

A secret camera at a BK restaurants took customers' pictures. Their photos were then printed instantly onto the wrappers of their freshly made burgers, giving a super personal meaning to "having it their way."

Can this be headed to your local BK? Would be fun...

Happy St. Patty's Day!

 

You may have caught it already as today’s CREATIVITY Pick of the Day, but here’s another stellar outdoor idea for McDonald’s out the ad agency Leo Burnett, Chicago.

This installation was placed on the banks of the Chicago River, which is dyed green each year in celebration of  St. Patrick’s Day.  A perfect way to promote McDonald’s seasonal Shamrock Shake! See more pics of this annual tradition here.

Happy St. Patty’s Day! Be Safe! Now, time to get ourselves a Shamrock Shake!

Follow STARMEN on Twitter

 

Now you can get all the latest, up-to-the moment happenings from STARMEN and around the design world. No matter if it’s thirty seconds or 140 characters, we create ideas that don’t just talk, but get talked about.


Follow us now! @starmendesign

Our New Site Launches Today!

 

As an award-winning creative agency specializing brand design, we are proud to announce the redesign of the STARMEN web site. But "redesign" doesn't really cover it. This more than a aesthetic adjustment or surface-level change. This is more of a "refresh" both internally and externally. The new starmenusa.com reflects our new ideas, new thinking, and new outlook for our clients, and their brands. For those of you familiar with us, you'll find a lot of new and exciting information, about us, the services we offer and see new design work!

Our LA headquarters is buzzing with excitement! This site has been a labor of love, created with synchronized hard work, absolute enthusiasm, and meticulous attention to how effective design can be. The new STARMEN believes happy users means happy business. One goal of ours that hasn't changed is this: We are here to produce solid, valuable results for you! Now, we just look even better!

Visit our new virtual home and experience the new STARMEN!